Attack of the Needle Felted Alligators!
Moments before the alligator attack, Kitty and I were sitting in the kitchen minding our own business….
….and BAM, the needle felted alligator puppet jumped off the table and attacked Kitty!
…oh, I was just daydreaming! I started making some puppets the other day, I intended to make a dragon like this one:
….but at one point it started looking like an alligator, so I “followed the shapes”. The simple puppet I set out to make became more complicated, with fairly sharp fimo teeth and finger slots to put your hand so the alligators mouth can be opened and closed. This isn’t s step-by-step tutorial, but I did shoot a few of the creation stages, have a look!
I made the alligator’s top jaw first, his lower jaw second and the body sleeve last. I inserted glass doll eyes into the sides of his head. I connected the two jaws with a thick, flat piece of wool that acts as a hinge.
The tricky part of making the finger holes in the jaws is making them deep enough for your hands so you have real control over the motion of the jaws. I used a pair of scissors to cut deep holes in the top and bottom jaws, I pulled out as much wool as I could so that it was still snug when I put my hands inside the holes. I felted the holes as best as I could to make them smoother.
Here is the gator without any teeth, he looks pretty pitiful. I made the alligator teeth from off- white fimo (the photo shows an example of the teeth placement).
I shaped the alligator’s teeth so that they’re slightly rounded, those are shark’s teeth at the top of the photo, for a future project. I baked the teeth at a low temperature for about 7 minutes, then took them out to cool and harden.
With scissors, I cut deep slits in the jaws (following a photo of a real alligator with his mouth open) and glued each tooth in with fabric glue.
I needle felted a sheath to cover my arm; I wrapped the sheet of needle felted wool around the end of the alligator’s head and needle felted it on.
Now I have a fairly realistic alligator puppet with which I can use to help tell fairy tales or stories, use as a conversation piece at dinner parties or chase the cat around the house with!
Finger puppets help bring out the imagination in our children; the imagined worlds and characters of children are fascinating to watch! With this simple tutorial, you can make animals, monsters, aliens, sea creatures, people or whomever your imagination might introduce to you. Adults and children alike,please be careful with the felting needles, as they are very sharp, please supervise your children while felting.
The secret to needle felting is SHAPES! You determine the shapes that make up an object, felt each one and sew and/or felt them together-Voila-easy as pie! I will show you step-by step how to make the frog finger puppet in this tutorial, but there is a shapes guide that can be printed for the cow-pig-rat-frog and dog at the end of the tutorial to help you determine the shapes that make up the other animals.
When I first made my Easter puppets, I set them up to look at them as I always do, to see/feel if they were finished or if they needed a little something extra. Many things came to my mind, the first being that the chick, so different from the bunnies wanted to fit in with the crowd, so I needle felted the chick a bunny hat. Now the chick looks like his friends, more or less. This reminds me of my girls, dressing in “IN” clothes and having the right shoes or accessories to be in style. It also reminds me of myself in college, I usually dressed “artsy” or differently as a statement of individuality. The chick dressed as a rabbit struck me as sad; I felt sorry that he needed to be like the others.
After my thoughts of “fitting in” and my musings over my slightly humorous photo of “three rabbits” had passed, my light-hearted Easter puppets moved in a more somber direction, a different idea came to me. What if the chick needed to pass for a rabbit, what if he is in disguise, a disguise to save his life?
In 1940, my mother-in-law was 12 years old and her parents sent her to live with a family, in a small village outside of her town of Krakow, Poland. She was to live as a Christian because she was/is a Jew; later in history, we refer to the “hidden children” of WWII as those living with a different identity, different names, in foreign towns and with people who were not always a part of their family. These children were hiding from Nazis or in the case of Poland, they were hiding from every day Polish citizens who would turn them into the Nazis, who would kill them. The little girl (my mother- in- law) was given a different (Christian) name and she needed to be careful to answer to it when called, she remembers going to church and tells of how much she loved the stained glass windows. Luckily for my mother- in- law, she had white-blond hair as a little girl and big blue eyes, she easily passed for a Christian child in 1940. I can’t imagine the trauma of sending a child away to save their life or the trauma the child must have felt living away from the family; I have a 12 year old daughter now. I imagine my mother-in-law’s parents were grateful beyond words that they had found someone who would take their daughter in (I’m wondering if they paid the family to take her in). The people who took in my mother-in-law were helping to save her life, but the lady of the house wasn’t very nice to her and she used her as a maid. The man of the house noticed that the little girl read a lot, so he started to cut out all the articles related to the war and what was happening to the Jews from the newspaper. He told her this after the war, he said he cut out the articles so she would worry less. He told her he always knew she was a Jew because of how much she read (sterio-type?). She lived in hiding (as a chick amongst rabbits) for about a year and a half. We don’t know a lot of details from the war time about my mother-in-law’s life because she can’t bring herself to talk about it. She says after she talks about this time in her life, she can’t sleep for weeks afterwards, so we don’t ask a lot. Sometimes after a few glasses of wine at dinner, she starts to talk about the war and this is the time that we listen very intently, to hear her fascinating, heart-breaking story. She moved on from the small village and continued her journey through the war with her brother who had been in hiding in another town, working and living on a farm. The brother and sister never saw their parents nor their home again and from the stranger’s homes from which they worked, they moved on to live in the forest, accompanying and fighting with the Polish partisans….
I tried to build a “magical world” for my needle felted gnome puppet to hide in the other day so I could take his picture. I set up my photo like I usually do, on a white piece of cardboard on my front porch. I set up my small mushrooms, positioned my gnome puppet behind the big orange needle felted mushroom and started to shoot. Something was missing. It’s hard to shoot magical, mystical worlds when you live in the middle of a city, another reason to be more creative I guess. I stood back and looked at my set up and I noticed the vines clinging to the side of my house, creeping along and nearly covering the facade. I pulled some of the vines into my shot and positioned them so the green leaves filled in the empty spaces, I think that did it!
My needle felted puppets usually end up acting out scenes and telling stories (like my Little Red Riding Hood post: http://www.lauraleeburch.com/blog/2010/04/the-adventures-of-little-red-riding-hood/). The mushroom forest set up inspired me to finish two other needle felted puppets I’d been working on and set aside for several months. I set out to finish the Rose Princess puppet and the Little Red Mushroom puppet because I was sure that the Little Gnome puppet would be delighted to run into them in the mushroom forest.

The Little Gnome puppet, the Rose Princess puppet and the Mushroom puppet meet in the Mushroom forest.
I was right, it was a grand reunion of old friends.

































