For me the thrill of wool is being able to create an object from fiber, from which one would never have guessed it was made. It’s a bit magical!
“Most recently, I’ve started to create felted-waxed food. The felted-wax process is perfect for many types of food. I continue to challenge myself in this medium concerning texture in search of realism. “
“I started experimenting with different aspects of wool. It bothered me that hooves, a nose or a beak were still slightly fuzzy, even when finely felted. I started waxing areas of my felting that should be smooth. “
It took a long time to finish my studio, after we bought the 150+ year old Ottoman-era property in the ancient port city of Jaffa, Israel; we had to design the space and then rehab it with the help of ancient architecture specialists (architects, engineers, builders and carpenters) because the building is historic and required many special details in its restoration. The building has been many things over the years but it’s original purpose was as a barn. The building is located in Shuk Ha Pish Pishim (the flea market); in ancient times herders kept their livestock in the area below our apartment and slept in the rooms that are now our house. The herders sold their livestock in the market that still exists today albeit with a very different look and feel! The flea market today is a very hip and gritty place with many bars, restaurants and boutiques.
There are 2 outdoor spaces in our house now but years ago the rooms were built around an indoor courtyard, a very common feature of Arabic architecture. The rooms are designated by the vaulted ceilings, one of the most striking features of the house.
It took us a little more than 3 years to rehab our home in which my studio is located. My art studio has a mid-century modern look; it contains 8 large storage cabinets with transparent backs so you can see the stones behind, a card catalog for storing tiny supplies like threads, tape, felting supplies, knick-knacks etc., two mid-century style tables, my aquarium of turtles and a little sofa. There were two niches in my studio (we don’t know what they were for); I now use one as a storage area and one as a bathroom.
I have a mid-century style handmade, walnut sewing table and a matching taller table with my computer on it; this is where I felt because all my wool is in the cabinets behind me. As I sit and work I can watch my turtles in the aquarium that separates my studio space from the rest of the house. Louie and Shmoopy (my dogs) often visit me in my studio, Shmoopy is currently banned from the studio because she has eaten too many of my felted pieces; she jumps up on the table and cabinets and steals them.
I’ve added many family heirlooms in my studio; they give me inspiration and they are reminders of quality, old-world craftsmanship. My fiber-art is needle felted, many times with embroidery, beads or textiles incorporated into the work.
At one point in my needle felting I began to wonder how I could make the surface more interesting, so I began to experiment. I needle felted a mask using a large felted ball as a mold to help me obtain the curved shape of the mask. I felted the mask face as I’d felt any doll face but as I started to apply the colors of the face I became bored with the felted outcome. I decided to start the long, arduous process of embroidering the mask.
It took me several years to finish this project because many other projects became more important and I put the mask away, time and time again. Because of the tediousness of the embroidery I wasn’t excited to finish it.
As I progressed with the mask embroidery, the shape of the mask changed and I had to keep reshaping it. Getting the needle through the center part of the face was very difficult. By this point (above) I was anticipating adding color so the process became more exciting!
The mask came to life with the addition of each different color that I added. The more colors applied to the surface, the faster I worked!
I compare the many colorful thread stitches of my mask to brush strokes; the outcome reminds me of an impressionistic painting.
I sewed/glued a chop stick to the side of the mask for a handle; I felted a handle, embroidered it black and inserted the thread-wrapped chop stick into the handle. I sewed black beads around the mask to compliment the handle.
The feel that the messy, inside of the mask is as interesting as the outside! I’m looking forward to my next needle felted-embroidered mask and I’m sure I will finish it in record time!
I miss the black, shiny Raven that always sat on my gate; he and a few of his friends were always sitting on the gate or the phone wires or the branches of the big tree that spilled into my yard. As I entered the big metal gate to my courtyard, he would cock his head to the side and look at me, as we looked at each other I always had the feeling he watched over me. I came to look for this guardian of my “castle” as I came and went; his familiar presence gave me a peaceful feeling. We were friendly acquaintances for 13 years; I recently moved and I contemplate if he wonders where I am.
I have recently become familiar with the Steam-punk style and while searching for a subject for my first Steam-punk inspired sculpture, my friend the Raven came to mind.
Steam-punk-“Steam-punk is a sub-genre of fantasy and speculative fiction that came into prominence in the 1980s and early 1990s. The term denotes works set in an era or world where STEAM POWER is still widely used—usually the 19th century, and often set in Victorian era England—but with prominent elements of either science fiction or fantasy, such as fictional technological inventions like those found in the works of H. G. Wells and Jules Verne, or real technological developments like the computer occurring at an earlier date.” Wikipedia Steam-punk elements include: gears, watch-parts, watches, velvet, cameos, wings, aviator goggles, Victorian clothing, top hats, hot air balloons, locks, keys and metal parts.
The Raven is a needle felted shape, with shiny black satin quilted on top of of the wool. His eyes are a blue, blinking-doll eye and a red, glass taxidermy eye. There is a wind-up key on his back that serves as the handle to a lid, the lid covers a hidden compartment which contains the typical watch parts and gears of the Steam punk style. The Raven’s sharp talons are tiny watch hands, His pivoting neck is encircled by a thick row of black feathers and over the feathers is a stiff cardboard collar, collaged in vintage Italian train tickets. He sports a Victorian Saks-style collar that makes him appear a gentleman, as I imagine him to be. His large beak is waxed to make it very hard and a different texture than the rest of his body. The head rotates and tilts so he can be positioned as a real bird, his legs, wings and tail are poseable.
I learned a bit about watches while researching Steam-punk, like the little sapphires and rubies in the watch movements are real (also some watch crowns for winding contain real sapphires! Vintage watch hands can be very ornate and beautiful and some watch movement parts are intricately engraved.